THE TYGER by William Blake
Tyger!
Tyger! burning bright
In the forests of the night,
What immortal hand or eye
Could frame thy fearful symmetry?
In what distant deeps or skies
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand dare sieze the fire?
…. à 這首詩在讚美造物主
․thyà your; thineàyour的受格; theeàyou的受格
*term explanation
․Tragedy is a form of art based on human suffering that offers its audience pleasure.[2] While most cultures have developed forms that provoke this paradoxical response, tragedy refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. In the modern era, tragedy has also been defined against drama, melodrama, the tragicomic, and epic theatre.
․mimesis--- In ancient Greece, mimesis was an idea that governed the creation of works of art, in particular, with correspondence to the physical world understood as a model for beauty, truth and the good. Plato contrasted mimesis, or imitation, with diegesis, or narrative. After Plato, the meaning of mimesis eventually shifted toward a specifically literary function in ancient Greek society, and its use has changed and been re-interpreted many times since then.
․Catharsis is a term in dramatic art that describes the "emotional cleansing" sometimes depicted in a play as occurring for one or more of its characters, as well as the same phenomenon as part of the audience’s experience. It describes an extreme change in emotion, occurring as the result of experiencing strong feelings (such as sorrow, fear, pity, or even laughter). It has been described as a "purification" or a "purging" of such emotions.
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